Category Archives: INTERVIEWS


Crystal Renn appears on the cover of the June 2010 issue of American Glamour alongside Alessandra Ambrosio, and Brooklyn Decker. The headline to the cover story photographed by Matthias Vriens-McGrath in St. Barts declares, “Sexy! We’ve got the best swimsuits for every body…Size 2, Size 12, Whatever!”

Crystal leads the editorial that turns the conventional swimwear feature on its head. We’ve seen Alessandra Ambrosio wearing next to nothing for Victoria’s Secret for years, we’ve seen the flawless Brooklyn Decker in Sports Illustrated‘s Swimsuit Edition, but seeing plus model Crystal kick off the story wearing a Zimmermann one-piece and Christian Roth sunglasses in an unpatronizing manner is an act heretofore unseen. What’s so striking about the Glamour cover story is not that it’s not a mere reprise of the “size issues” that have done the rounds of fashion magazines of late, but that Crystal’s right there with the best of the best no matter the size.

Asked by Glamour if there is indeed a movement to use models of all sizes, Crystal is emphatic in responding, “I absolutely believe so. Even Prada showed curvier models this spring.” And why not? If Crystal, Alessandra, and Brooklyn can share the odd cover of Glamour, then the possibilities are limitless.

Article taken from


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Curvy beauty, actress and singer Jennifer Hudson looks fabulous recently and has just become the face of Weight Watchers. She looks healthy and had curves in all the right places. Jennifer says “I was very comfortable with myself before,” she shared. “I have a child now and I want to set a great example for him. Make better life choices, health choices, and just create a good example for him growing up.”

Ms. Hudson, 28, who won an Academy Award in 2007 for her role as the singer Effie in “Dreamgirls,” followed a Weight Watchers program for several months, tracking what she ate, intensifying her exercise routine and meeting weekly with a diet coach. The Grammy-winning singer dropped a noticeable, but undisclosed, number of pounds — a topic of celebrity gossip sites and blogs — in the months since she gave birth to her first child, a boy, last August.

Weight Watchers has long used star power in its campaigns. Sarah Ferguson, the Duchess of York, was its spokeswoman in the United States from 1997 to 2007, and the actress Jenny McCarthy did a stint last year.

Ms. Hudson’s Weight Watchers role began with a live Facebook chat, and she has started to blog about her weight loss on The blog will include commentary on what she likes to eat, recipes and exercise tips, Ms. Callan said. Later this spring, the blog will include her experiences making a film in South Africa about Winnie Mandela, the former wife of Nelson Mandela.

The four Weight Watchers commercials were filmed at the same time, with Ms. Hudson dressed casually in pants, a striped shirt and a cardigan, in a music studio setting. The look and setting were chosen “because we wanted people to be able to see her body, with clothing that shows her new shape,” said Joyce King Thomas, chief creative officer for McCann Erickson, a unit of the Interpublic Group of Companies, which handled the campaign.

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Hello Glamazons! And thank you for this fabulous opportunity!  I don’t normally have the privilege of being around celebrities, let alone burlesque ones! 

 I am a great fan of burlesque, from the gorgeous outfits to its whole sex appeal! Where did you get the inspiration from?  Why Burlesque?

[MERYL] I have always loved singing and dancing and even played the part of ‘Mazeppa” (a stripper) in the musical “Gypsy” at the age of 12!  In 1997 I was introduced to the burlesque scene after being cast in a musical called “Sin” that was performed in the east village.  I had did a striptease act in the show. It was very liberating and empowering to show my curvaceous figure on stage every night!  I got great feedback from audience members who thought it was refreshing to see a “real” woman stripping on stage in a tasteful way.  I continued to perform song and dance routines at cabaret clubs and incorporated the burlesque aspect.  I loved the glamour, glitter, sequins ruffles and, of course, corsets! 

And how did the band form, have you always been friends? 

[MERYL] I started to perform a one woman show and continued to be a featured act in variety shows.  I was inspired by groups like “The Pontani Sisters” and “The Wau-Wau Sisters” and wanted to be part of a group.  I imagined performing on stage with other full figured women, like myself.  And that’s how The Glamazons started!  I auditioned girls and formed the group. As the members of The Glamazons have changed through the years, the group has morphed into something different.  We don’t strip anymore, but our act is infused with the tease of burlesque.

[SANDY] I joined The Glamazons back in 2003 when the group was revamping. Some girls left to get married or to go back to school. So Meryl took me under her wing and showed me the world of Burlesque. This is when I truly learned to love my body and I grew to love myself more than I ever thought possible. As the rest of the group formed, we created a bond that no one can break. We love each other like sisters and fight like sisters. Haha!

[LAURA] I joined the Glamazons in 2005 as more of a pop style performer/addition to the group.  I was just singing and modeling at the time and met the girls on a photo-shoot for a book called “Big Girl Knits.” I never pranced around in my undies or a corset before, so my first performance was so invigorating.  There’s no better way to get over stage-fright than singing and dancing in ruffle panties!  The whole time I was thinking “well… I better perform my heart out, because my bum is all the way out!”

What made you decide to go on America’s Got Talent?

[LAURA] We were all a little skeptical about doing “America’s Got Talent” because we didn’t want to be made fun of for our size.  When we walked on stage, the audience started to laugh, but then we sang, and the crowd stood up immediately cheering us on.  The judges loved us.  I was so surprised.  But, we do know how to rock the house and have fun doing it, so I’m glad everyone else thought so too.

Who was your favorite judge?

[SANDY] My favorite judge was Piers Morgan. This guy was the toughest and most critical judge on the show and he loved The Glamazons. He has a thing for curvy women and he thought we were truly talented, so it felt really good to have him in our corner. All of the judges loved us and they were really inspired by us. I think they were all pushing for our success.

[LAURA] I really loved them all but Sharon Osborne was definitely my favorite.  She was like mom: honest and loving all at once.

[MERYL] I loved them all!  But I grew up watching David Hasselhoff on television and it was so surreal to perform for him. He has a special place in my heart J

 So you found fame on America’s Got Talent, you got into the final eight I believe??  How did it feel?

[SANDY] It was really a humbling moment for me when we made it to the finals. I felt that people in America were realizing that talent comes in all sizes and I was so proud to be a part of that. We received a lot of fan mail from people saying that we had inspired them to go out and do things they never thought they could do because of their size.

 [LAURA] I had so many mixed emotions.  It was amazing to be there and make it that far with our talents and by being ourselves just the way we are and knowing the country voted us there.  Our fan-base grew tremendously and we inspired so many people to start loving their body no matter their size, shape, or weight.  But it was also an up hill battle because we were also being judged just because we are plus-size.  It was sad to read what people wrote at times.  It just made me wonder how much they must have been suffering to say hurtful things.  But in the end, you always have to push on through and shine!

Let me just say I think it is just great how you are all proud of your curves and flaunting them in such style!

Do you feel that you are representations of lots of girls out there who are proud of their curves?  That you are putting the message across that Diva Rocks!

[SANDY] I do feel that we represent girls across the world who want to prove that curves are sexy! It concerns me that young girls look at thin models in magazines and think that’s how they should look. The Glamazons work out and try to eat healthy, but we still embrace our curves. We are not trying to be a size 0 and that is okay. We want people to be the best “you” that you can be.

[LAURA] After the show, we went on tour and we found that so many of our fans look just like us!  It was great to hear “hey you girls look like me! Thanks for being you!” I felt like I was fulfilling my mission of “size/real woman-acceptance.”  This made me see how seriously under-represented women size 12 and up are in the media.   People are starving to see plus-size ladies representing proud, talented, fierce females! We are here to set off that revolution!


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RJ: Hi Velvet! Thanks so much for taking time out of your day for this interview! We’re honored to be speaking with you.
VD’A: Thanks. It’s great to be approached by a company that I have purchased from!

RJ: Where does your stage name “Velvet D’amour” come from?
VD’A: Velvet has been my nickname for ages, and it stemmed from volunteering on a “safe sex” hotline for an AIDS organization. When we were practicing calls everyone said that with my voice I could be doing a different type of phone work. And thus they started calling me “Velvet” and it stuck, so when I eventually ventured online, it was a natural choice to use and maintain a sense of anonymity. “D’Amour” just got attached as more of a drag name. I had christened my friends “Flying Buttress” and “Crystal Palace”, so I was bestowed the fitting “D’Amour” as I am all about love.

RJ: I have to ask about your role in Avida. I haven’t seen the film, but I loved the trailer! What was it like playing the character Avida?
VD’A: Ah yes, glad you liked the trailer. It is a highly surreal, very French movie, screamingly different than what most are accustomed to. It does not in any way spoon-feed the audience the story line… it’s more a visual journey that you have to be open to taking. What I like about Avida is that (with) 99.99999% of every movie we see nowadays, we enter the cinema already knowing the outcome and with Avida that is not the case. It was a great experience! I had a blast, and on top of it I learned a lot as an artist. The character “Avida” was quite different from me in some respects: the fact that she is an alcoholic and I never drink alcohol, she is quite brisk, hard-edged, so it was a fun challenge to develop that role. Then, that it ended up landing me on the hallowed “red carpet” at the Cannes Film Festival and over at the Tribeca Film Festival, appearing in front of the audiences, answering questions after each run, was literally “pinch me I’m dreaming” material! I’m originally from New York and got my college degree at SVA (School of Visual Arts – which has a great film department) so it’s just hard to describe how honored and damn lucky I felt to be there!

RJ: Do you have any other films in the works?
VD’A: I appear briefly in the upcoming French comedy La Baltringue (starring Vincent Lagaf). Then there is a writer/producer in Manhattan who has a role for me in his impending short film. But we need me to actually be in NYC for a spell to shoot that, so it’s conceivable that it will go down in August. Should be cool!

As far as other film work goes, I have had the good fortune of late to be asked to perform with a lot of hip French bands. So that’s rather unexpected, that
at 270 lbs. and near 42 years old I get to play “video chick”! (Artists including) ancy, Scarlett Queens, Neg Marrons, The Producers of Porc (asked me to sing with them at Glazeart!), and now tomorrow night they are shooting me for the 7 Questions music video, so I’m psyched to do that.

Also, recently I was approached by France’s number one Reality TV show Secret Story, which would have certainly made me famous, but I need to respect my values and participate in what I believe in. So there are a number of projects that I end up rejecting if I don’t feel they jive with what my intents are as an artist. That is the hard part, as roles for women of size are so few and far between, and the money (especially on this reality show!) is amazing, but what good is that if you come away knowing you are not true to yourself?

Apart from that, I haven’t an agent other then my modeling agent, so the work that comes my way tends to be more fashion- and less film-related. I should get my act together and find an agent but I tend to always have something going on, and sadly, that ends up getting put by the wayside. So, any acting agents out there, get at me! [Laughs]

RJ: What was it like posing nude for the Ron Arad Expo? Have you posed nude before?
VD’A: I have posed nude on occasion. I am very fastidious about who I get naked for, especially as the vast majority of work thrown my way tends to request that I appear/pose nude. So much so, that my friends and I were joking when Galliano and JPG magazine came calling. They will probably just tattoo my body with their logo and have me prance down the runway starkers. [Laughs]

I believe I said it best on my Model Mayhem model profile: “Notes on nudity… I’d say a good 99.999% of the artists interested in working with me wanna get me naked, not that I blame them.” [Laughs]

It is quite the odd dichotomy that as a society, fat is viewed with derision, yet should one go out on a limb and include a genuinely voluptuous model, nine times out of ten they will do so by harkening back to the Renaissance. Rubens and the like are seemingly our only reference point for a larger body. Given I photograph as well as model, I certainly have shot my fair share of nudes of all shapes and sizes, thus I understand the drive. Were Herb Ritts to come back to life, I’d greet the boy starkers. I have posed nude for DanieleIango, Rancinan, and in the film Avida, so certainly I do not dismiss all tasteful nude propositions. But my main reason for modeling is in fact as a political statement, that we need to diversify modern standards of beauty. If we continually marry the fat body with nude classics then we are hardly creating a revolution. It’s too easy. In a sense, one gets a different look and perhaps is praised for such, but if you really want to be “revolutionary” then why not do a fashion shoot with a bigger body, versus pulling out the old Botticelli standard?

As to my experience posing with the Rod Arad chair, while modeling for Daniele Duella and Iango Henzi I agreed to do so after requesting that I also model in a fashion shoot for them, explaining my reasons for modeling in the first place. They were very understanding, and if everything goes as planned I will indeed have the pleasure to pose yet again for them! When they specifically requested for me to pose, I immediately checked their work out and knew based on what I saw, as well as what I felt, (having met them beforehand for coffee) that I was very fortunate to be considered. The image they were striving to make was to be iconic, shot with an incredible archival process (costing a mint) and selectively reproduced. There is always a vulnerability to posing nude and it takes a mutual sense of trust between the subject and the photographer to do so. That sense of shared respect is what allowed me to graduate from Model to Muse, instinctively giving what it was they sought.

The funny thing is I felt more exposed without any makeup and my hair seemingly scalped, than I did simply being devoid of clothing. I felt (in looking at the images shot) that much more of me was in these images and that was unexpected. But then that is what is great about modeling… that you can continue to evolve as a person by taking risks and “feeling the fear and doing it anyway”!

RJ: I saw what looked like a fan-created SIMS character of you on your MySpace page. Have you had any crazy fans or stalkers?
VD’A: Ah yes, MyVelveT, that was my friend Thibault Guerin’s birthday pressie to me! You have to know Thibault for his mighty famous film Plastik. While he is far from a stalker I have, unfortunately, had the hideous experience of being stalked. Anyone unlucky enough to have suffered such a nightmare will relate to the fact that I want to say nothing further on the subject. It is an added reason to hold fast to my nickname. Sadly, my hometown paper refused to publish an extensive article they had done on me if my real name wasn’t used (despite my having dictated this term before giving any interviews, or doing the photo shoot!).

But literally every other publication (and media outlet) worldwide (including things like National Public Radio), have all understood and respected this. For the most part my fan base is terrific! I especially like the fact that it is now composed of equal parts male and female. I even have one very sweet fan who has sent me my favorite, See’s Victoria Toffee! If you haven’t tried that yet, you haven’t lived. Mmmmmmm!!!

RJ: I read that you started out as a photographer. How did you make the transition from photographer to model?
VD’A: Well, I would encourage any photographer to model and any model to shoot, because without that you are less sensitive to your art. I don’t perceive a transition as they both intersected in my life, having started to model and shoot back in high school.

But as far as being a signed “Model”, that came about when I saw Contrebande Agency was opening France’s first plus-size model agency, Agence Plus. I have always been active in the size acceptance movement and I saw testing the girls there as yet another way I might help out. Given that there are fewer female photographers, I sent my pic along showing that I too was a woman of size. When they saw my photo, they asked that I sign as a model in both the Agence Plus and the Wanted divisions of the agency. And the rest is history.

RJ: Do you notice a difference between shooting curvy girls and straight-size models? Do you enjoy one or the other more?
VD’A: I enjoy shooting period, be it a torn flower or a naked body. I find a great joy in the poetry of photography. My preference has always been shooting people, and yes there are differences in shooting a straight-size model versus a plus-size model. I am very drawn to high-end editorial photography and at the moment the style of posing is very inward, imploding, shrugging – a less bold stance and a lot of subtle, less structured poses. And yet there remains a negative space when shooting this style pose with the straight-size model because there is less flesh. If you shoot a more voluptuous model in the same style pose you can’t pull it off because there isn’t any negative space, so to try to be innovative and carry across a similar feeling while using a less traditional body type is a fun challenge.

Plus-size modeling is often relegated to a more commercial approach, catalogues etc., and straight-size models tend to have more experience modeling (for) editorials. I love shooting plus-size models editorially because it is powerful to show mainstream people that it can be done, and done with class, while maintaining the sexy edge that high fashion more often than not encompasses. Plus-size models tend to have more curves and an accentuated femininity, which is lovely to highlight. I also enjoy shooting much older people. I like shooting people who tend to be excluded by modern media. I have shot 600-lb. women in the same fashion that I have a 115-lb. woman. I don’t adhere to the ideology that beauty is thin, young, white, tall, etc.

Unfortunately, a lot of women don’t feel comfortable in their skin and the most powerful moments for me have been being able to transform their vision of themselves with my photography – taking part in revealing a beauty that may have existed without being seen – bringing that to light and watching how that millisecond in time can incite positive change.

RJ: Do you plan to stay behind the camera or continue work as a model,or both?
VD’A: I have been doing both for some time and I plan to continue. I have been very fortunate to model recently for photographers like Louis Decamps, Daniele
Duella and Iango Henzi, Ilaro Magali, etc., who have a great cutting edge quality to their work. Given how rare it is to view a model of size in editorial fashion, I feel privileged to use my modeling as a way of opening people’s vision of what they perceive as “beauty”. I do the same with my photography and as such, I see it as intrinsic to my life as an artist – be it as a model, photographer, actress, singer, dancer using whatever talents I have – to open the concept of “beauty”. So many people suffer low self-esteem and we don’t need to. By infiltrating modern media with a more diverse vision of beauty we make “beauty” more accessible.

RJ: What has been your most memorable shoot as a photographer?
VD’A: I suppose it would be when a woman I photographed broke down in tears when she saw the images and expressed a sense of disbelief at her own beauty. Every one of my shoots holds special moments.

RJ: And as a model?
VD’A: All my modeling shoots are a blast because I am a real “people person” and when you model there is always a makeup artist, hair people, assistants, creative people etc., and it’s always a good time. It’s really a small world. I had the chance to be invited by Camilla El Fayed to perform at the Acne Paper party at the Ritz. She had explained (that) her makeup artist would be doing my makeup, and what an amazing artist he is! When I arrived at the reception he was there and it turns out he had done my makeup for the Vogue shoot by Nick Knight that was, funnily enough, shot in the same hotel!

We had a gorgeous room above the bar to prepare for my appearance. And the stylist, makeup artist and I were out on the balcony, and I thought: here we had initially met backstage at the Galliano show, then he did my makeup for the French Vogue shoot, then later we bumped into each other at Jean Paul Gautier’s retrospective party – which happened to take place at the Olympia, whose lights were now shining just down the street from the balcony where we stood! And we meet up again back at the Ritz! How crazy – all these connections – (what a) small, wonderful world!

RJ: What is life like for you living in Paris? Would you ever move back to the states?
VD’A: It’s a common question I am asked and yet, being here for over 15 years now, it just feels like home in a sense. I can’t really envision moving back, though Obama being in office definitely tempts me. [Laughs]

What would be ideal is to spend a few months each year back in the U.S., which I often do. (It) just depends on what I am up to, but I get back often enough that I don’t feel super disconnected. I guess the main difference is how much TV Americans watch and how that is so integrated into life in general, so all the Grey’s Anatomy and Desperate Housewives jokes are lost on me. And more often than not when I get back and something like Entertainment Tonight is on TV, I tend to be clueless as to who all these stars are.

Then I do get accustomed to Paris-size proportions, so when I am asked which size drink I want with my meal I literally remember breaking out in laughter when the final size seemed that of a small bathtub! And for a few cents more you could wade in your drink as well as quench your thirst!

I do love decorating and the cost of homes there, compared to here, is sooo insanely cheap that if I could get myself a cute farm house complete with porch, or a cottage, or a cabin, and just have fun doing that up, it would be fun.

But when I do get stateside I inevitably visit friends and family. So after NYC it’s upstate, then Philly, then DC, etc., so (moving back) doesn’t make much sense… unlesssssss… I held some “plus-size summit in the wood”! We could have a cabin and do photo shoots in Hips & Curves lingerie by the stream, and hold “confidence” seminars on the back porch, go horseback riding, pick blueberries… all very On Golden Pond. But then that seems to be what happens when you live as an “expat”… the States teeter between “Norman Rockwell idyllic bliss” and “chainsaw massacres awaiting you on each corner”.

It’s easy to watch the news (you can, btw, watch Desperate Housewives dubbed in French, but I can’t stomach much dubbing, let alone the madcap 6-year-old voice they tend to use for women). So when you see the news, clearly it’s all “serial killer city”, especially when compared to France where violence tends to be more social – like the (employees of the U.S. firm) Caterpillar who, when they were laid off, decided to kidnap the bosses and hold them (hostage) until they got some compensation they felt their due.

Anyway, for now, I have the best of both worlds!

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I thought I’d add this interview with Radio Presenter Jami Templeton, the woman behind the Fat and Fabulous Radio Show, taken from the great Fat and Fabulous Blog.

Full Figure Plus: Who is Jami Templeton?

Jami: Wow, who am I? That’s a loaded question. Haha. I’m sweet, feisty, intelligent, an air head, a diva and a homebody. By profession I am a radio personality, actress, television show creator, artist developer, manager, writer and singer. In my spirit, I am a woman who has learned a lot in the way of trial by fire. I am a plus sized diva, and after many years of struggle with body image, I landed in a place where I love myself regardless of what size I am, or what the scale says. I feel that when we go through these experiences, they always have a lesson that we are obligated to share with others that have similar struggles. We are all here to help each other, and if the pain I endured can help one woman or little girl to see that she can make it through, then it was worth it.

FFP: What are your thoughts on plus size fashion?

Jami: I think plus size fashion is amazing. I love that a young girl who is bigger than “average” can walk into a junior plus store and look just as cute as her thinner girlfriends. Plus size fashion has come a tremendously long way since I was in school.

FFP: Do you think plus size models are treated fairly?

Jami: I think that when something is different, it always takes a while for the world to catch up to the truth. I definitely commend the plus size models that are out there right now for forging a path. It’s an exciting time in fashion right now, where people are realizing that most of the world’s population is bigger than the sample sizes on the rack. Kudos to the models out there giving us positive, realistic images to look up to, and to the designers and runway producers who give them a place to shine.

FFP: How did you get interested in the music industry?

Jami: Music is my heart. I’ve always been like Ally McBeal. You know, the girl who always has a song playing in her head! I was singing before I could speak in complete sentences. For as long as I can remember, I knew that’s what I was supposed to do in this lifetime.

FFP:  Do you think that blogs and social networking has helped or hurt the plus size community?

Jami: I definitely think they have helped raise awareness and put shame to rest. They give a voice to those of us who may not have had a voice before, and send the message that you can be beautiful at any size. And to me, that’s a fabulous message!

FFP: Where do you see the plus size fashion industry in five years?

Jami: Absolutely booming.

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The ‘face’ of Evans has gone against the trend of super size zero models and has carved out a career from her size 16 figure. Crystal was once a tiny 7 stone when agents pressured her to loose even more from her already miniscule frame.

Her curves have led her to sashaying down the catwalk for Jean Paul Gaultier and D&G.

From this Celebs on Sunday magazine, Crystal talks about her rise to fame and those famous curves…

I think the fashion industry focuses too much attention on extremes…Models are either tiny or they’re plus sized, but what about all the people in the middle? Even celebrities are skinny or fat. I think models should be all shapes, heights and colours, that way all women would be able to relate to them.

Curves emphasise your femininity…Men prefer something to grab hold to. Curves make you think of health and vitality, and I think that’s really attractive. Size 0 doesn’t scream health!

Clothes can transform your mood…I love sequins, they always make me feel happy. I’ve got a chequered sequined top and it makes everything I wear with it look great.

I stay in shape by eating healthy…I love organic food and I think its important to listen to your body. If you’re craving something, it’s usually because your body needs it. I love eggs, they have always given me loads of energy. If I’ve been on a long flight and I have to go straight to work, I have some eggs and suddenly I’m in a good mood.

If someone was thinking about becoming a model…I would tell them to be themselves. Don’t look in magazines and think you have to look like all the other girls because that’s what I did. If your true to yourself that’s what will set you apart from the rest. The most important thing about modelling is individuality.”


Celebs_on_Sunday_Sep_09[1]2 copy

Celebs_on_Sunday_Sep_09[1]1 copy

          Crystal is modelling Evans new range available at stores nationwide

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